Orchestral
Flacubal 95 for chamber orchestra. Based on Mozart’s 40th Symphony.
15 mins. 1st perf. by Hastings Philharmonic, 2018
No Man for double choir, orchestra, tenor and mezzo-soprano. 7 movements, text from various poetry and biblical sources.
35 mins. 1st perf. by Hastings Philharmonic Orchestra and Choir, 2017
New! (again) for Chamber Orchestra. 1st perf. by Durham University Chamber Orchestra, 2007
Toads – song cycle of Philip Larkin for tenor, SATB choir, chamber orchestra, synthesiser and electric guitar.
35 mins. 1st perf. by Toads Ensemble, 2006
Choral & Vocal
Caritas Numquem Excidit (Love Never Fails) – An arrangement of Copland set to biblical text, 2014
These Boots Are Made For Walkin’ (arr) – First performed by In The Smoke, 2013
All the World’s a Stage – setting of Shakespeare. First performed by Aoide, 2013
Preces and Responses performed by Aoide as part of the London Festival of Contemporary Church Music 2013
Cradle Song for choir. Setting of William Blake. First performed by Aoide, 2012.
To the End for choir. First performed by Aoide, 2011.
Dance, Theatre and Opera
Transcendence. Immersive dance theatre in 13th century monastery. Performed in Rye Monastery 13-14 and 26-27 October 2019 by Edifice Dance Theatre.
Salomé. Dance Theatre telling the story of Oscar Wilde’s play through comtemporary dance. Toured through the UK May – July 2019 with Edifice Dance Theatre.
Philip O'Meara 